During a three-month artist residency in Dresden, Germany in 2002 and over four subsequent summers, Fredrik Marsh explored the city and its outskirts photographing various architectural landmarks. Encountered during the many extended walks throughout the now familiar city his efforts concentrated on photographing in black and white and color the detritus of human culture found in the decaying interior spaces of vacant factories, abandoned apartments, and hotel rooms. The resulting series demonstrates the juxtapositions and ironies still abundant in the post-Socialist world of Eastern Europe twenty years after the collapse of the Berlin Wall, showing the old and the new as well as the grandeur and the decay of these once-majestic buildings.